Роберт Уайз
Robert Earl Wise (September 10, 1914 – September 14, 2005) was an American sound effects editor, film editor, film producer and director. He won Academy Awards as Best Director for The Sound of Music (1965) and West Side Story (1961) as well as nominations as Best Film Editing for Citizen Kane (1941) and Best Picture for The Sand Pebbles (1966). Among his other films are Born to Kill; Destination Gobi; The Hindenburg; Star Trek: The Motion Picture; The Day the Earth Stood Still; Run Silent, Run Deep; The Andromeda Strain; The Set-Up; The Haunting; and The Body Snatcher. Wise's working period spanned the 1930s to the 1990s. Often contrasted with contemporary "auteur" directors such as Stanley Kubrick who tended to bring a distinctive directorial "look" to a particular genre, Wise is famously viewed to have allowed his (sometimes studio assigned) story to dictate style. Later critics such as Martin Scorsese would go on to expand that characterization, insisting that despite Wise's notorious workaday concentration on stylistic perfection within the confines of genre and budget, his choice of subject matter and approach still functioned to identify Wise as an artist and not merely an artisan. Through whatever means, Wise's approach would bring him critical success as a director in many different traditional film genres: from horror to noir to Western to war films to science fiction, to musical and drama, with many repeat hits within each genre. Wise's tendency towards professio
Фильмы и сериалы
- Гражданин Кейн (1941)
- Звуки музыки (1965), режиссёр
- Вестсайдская история (1961), режиссёр
- Звёздный путь: Фильм (1979), режиссёр
- День, когда Земля остановилась (1951), режиссёр
- Штамм Андромеда (1971), режиссёр
- Логово Дьявола (1963), продюсер
- Великолепие Амберсонов (1942)
- Песчаная галька (1966), режиссёр
- Звезда (1968), режиссёр
- Горбун Собора Парижской Богоматери (1939)
- Похитители тел (1945), режиссёр
- Идти тихо, идти глубоко (1958), режиссёр
- Кто-то там наверху любит меня (1956), режиссёр
- Подстава (1949), режиссёр
- Моя любимая жена (1940)
- Гинденбург (1975), режиссёр
- Проклятие людей-кошек (1944), режиссёр
- Чужая дочь (1977), режиссёр
- Осведомитель (1935)