Джордж Альберт Смит
Along with his better-known French counterpart Georges Méliès, George Albert Smith, usually credited as G.A. Smith, was one of the first filmmakers to explore fictional and fantastic themes, often using surprisingly sophisticated special effects. His background was ideal – an established portrait photographer, he also had a long-standing interest in show business, running a tourist attraction in his native Brighton featuring a fortune teller. His films were among the first to feature such innovations as superimposition (Smith patented a double-exposure system in 1897), close-ups and scene transitions involving wipes and focus pulls. He also patented Kinemacolor – the world's first commercial cinema color system--in 1906, which was extremely successful for a time, despite the special equipment required to project it
Фильмы и сериалы
- Поцелуй в тоннеле (1899), роль
- Grandma's Reading Glass (1900), продюсер
- The Sick Kitten (1903), режиссёр
- The X-Ray Fiend (1897), продюсер
- Santa Claus (1898), режиссёр
- Mary Jane's Mishap (1903), режиссёр
- Let Me Dream Again (1900), режиссёр
- As Seen Through a Telescope (1900), продюсер
- The Miller and the Sweep (1897), режиссёр
- Le couronnement du roi Édouard VII (1902)
- Comic Face (1897), режиссёр
- The Old Maid's Valentine (1900), режиссёр
- The House That Jack Built (1900), режиссёр
- Making Sausages (1897), режиссёр
- Grand Display of Brock's Fireworks at the Crystal Palace (1904), режиссёр
- The Death of Poor Joe (1900), режиссёр
- A Visit to the Seaside (1908), продюсер
- Spiders on a Web (1900), режиссёр
- A Quick Shave and Brush Up (1900), режиссёр
- Cinderella (1898), режиссёр