Робер Брессон
Robert Bresson (French: [ʁɔbɛʁ bʁɛsɔ̃]; 25 September 1901 – 18 December 1999) was a French filmmaker. Known for his ascetic approach, Bresson made a notable contribution to the art of cinema; his non-professional actors, ellipses, and sparse use of scoring have led his works to be regarded as preeminent examples of minimalist film. Much of his work is known for being tragic in story and nature. Bresson is among the most highly regarded filmmakers of all time. He has the highest number of films (seven) that made the 2012 Sight and Sound critics' poll of the Greatest Films of All Time. His works A Man Escaped (1956), Pickpocket (1959) and Au hasard Balthazar (1966) were ranked among the top 100, and other films like Mouchette (1967) and L'Argent (1983) also received many votes. Jean-Luc Godard once wrote, "He is the French cinema, as Dostoevsky is the Russian novel and Mozart is German music." Description above from the Wikipedia article Robert Bresson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Фильмы и сериалы
- Приговоренный к смерти бежал, или Дух веет, где хочет (1956)
- Карманник (1959), режиссёр
- Наудачу, Бальтазар (1966), режиссёр
- Деньги (1983), режиссёр
- Дневник сельского священника (1951), режиссёр
- Мушетт (1967), сценарий
- Процесс Жанны д'Арк (1963), режиссёр
- Вероятно, дьявол (1977), сценарий
- Дамы Булонского леса (1945)
- Четыре ночи мечтателя (1972), режиссёр
- Ланселот Озерный (1974), режиссёр
- Кроткая (1969), режиссёр
- Ангелы греха (1943), режиссёр
- What Is Cinema? (2013), роль
- Les Affaires publiques (1934), режиссёр
- De weg naar Bresson (1984), роль
- Courrier Sud (1937), сценарий
- Zum Beispiel Bresson (1967), роль
- Кинопанорама (1956), роль
- Les Jumeaux de Brighton (1936)